Sous Vide Rare Beef Jus: An In-Depth Look

If you have registered with modernistcuisine.com and opted to receive recipes by email, this is already old news to you, but for everyone else, we’d like to announce the latest addition to our recipe library. We’ve taken an in-depth look at the recipe for Sous Vide Rare Beef Jus, including tips, plating ideas, and personal accounts from the Kitchen Team. There’s even a video with a centrifugal twist on the recipe from the book. Give it a try, and let us know how it turns out by posting in the Cooks Forum.

Stephen Colbert Bites Our Pastrami

Modernist Cuisine and Nathan Myhrvold were featured guests on last night’s episode of The Colbert Report. Stephen Colbert, a noted ice cream critic, sampled our dairy-free pistachio gelato and pronounced it yummy. “You’ve achieved ice cream that tastes like ice cream, that’s a true breakthrough!” he said.

Our dairy-free, egg-free pistachio gelato

Colbert also enjoyed the transformative experience that is MC pastrami, which is made from short rib and cooked sous vide at low temperature for 72 hours. “Oh my God…oh my God,” Colbert said with his mouth still full of melting meat. “I don’t need teeth. This is fantastic!”

Our melt-in-your mouth pastrami below Colbert’s mind

In a funny bit that didn’t make it into the segment that aired, Nathan poured liquid nitrogen into a bowl on the table at which he and Colbert sat. “You should absolutely never do this,” Nathan said as he repeatedly dipped his fingers into the ?321 °F liquid (and this is the important part: quickly removed them!) “Actually I haven’t had any feeling in these hands for years,” Nathan quipped.

At the end of the interview, Nathan immersed a rose in the furiously boiling nitrogen, then lifted it out and whacked it on the table. It smashed into hundreds of confetti-size bits. “You’d make a lousy valentine,” Colbert said.

Doneness and Article in Men’s Health

During the writing of Modernist Cuisine, our editor-in-chief Wayt Gibbs pointed out to me that, according to the Webster’s Third New International unabridged dictionary, “doneness” is officially not a word. My response was that it ought to be, and unless there was another word that communicated my meaning just as clearly, then I would insist that we make “doneness” a word. [Editor’s note: We later discovered that the word is indeed included in the 2002 addenda to Web3.]

Doneness —now officially a word, and no longer in need of being separated from other words with a pair of quotation marks—succinctly captures a rather complex notion. For me, doneness means cooking a piece of food to the ideal texture, temperature, taste, and flavor to match the personal preference of whoever will be eating it.

Steak is a great example of a food that elicits strong personal preferences for specific doneness. Some of us are enthusiastic carnivores and want a steak to have a flavorful charred crust, but a center that is raw and meaty. Others, for reasons hard for me to fathom, insist that their steak be well done.

Traditional techniques for cooking steak, like grilling, require that the meat’s time over the heat must be just right. Cook a steak sous vide, on the other hand, and it becomes simple to nail the perfect degree of doneness every time. This is because you set the water bath in which the steak cooks to the final temperature that you want the steak to reach. Once it achieves that temperature, it just doesn’t get any hotter. This difference is one of the most compelling arguments for cooking sous vide, whether you’re a restaurant chef or a home cook.

For the March issue of Men’s Health magazine, I worked with the journalist Paul Kita on an article he was writing on how to prepare the perfect steak at home by using a MacGyver-like sous vide setup. If you pick up a copy of that issue, which is on newsstands now, you’ll see that Paul did a great job of distilling the essential details of how to select the perfect cut, age the meat for great tenderness and flavor, and then cook the steak with nothing more than a zip-closure bag, a pot of water, and an accurate digital thermometer.

One important detail that didn’t make it into the article, however, is the cooking temperature that will yield your preferred degree of doneness. If you happen to like rib-eye steak cooked medium, then the bath temperature of 58–60 °C / 136–140 °F suggested in the article is right on. But if, like me, you prefer your steak done medium rare, a sous vide bath temperature of about 56 °C / 133 °F will give you that juicy pink doneness.

In Modernist Cuisine, we recognize that everyone is entitled to their own preferences for how they like their meat or seafood cooked. With this idea in mind, we developed dozens of “best bets” tables for cooking various cuts of meat and seafood. In each table, we offer suggested temperatures and cooking times that span the gamut from rare to well done.

You may have seen other tables with temperatures corresponding to different degrees of doneness. But notice that those conventional tables rarely include cooking times, which is a crucial component for food safety. Unfortunately, these older tables are usually based on misunderstandings about U.S. Food and Drug Administration regulations. In Modernist Cuisine, you’ll find an entire chapter devoted to all of the superstitions around food safety and government regulations. When it comes to cooking meat and seafood, commonly prescribed cooking temperatures almost always result in over-doneness!

It is often claimed, for example, that you must cook beef, veal, or lamb to an internal cooking temperature of 63 °C / 145 °F to prevent foodborne illness. This statement is totally false. The FDA requires NO specific internal temperature for steak. Put simply, even the FDA balks at the idea of telling millions of meat-eating Americans that they cannot have their steaks pink and juicy.

If you study the microbiology at work, as we have, you learn that there is very little need to prescribe a specific internal temperature because the inside of a healthy muscle is sterile. The immune system of the animal took care of eliminating any pathogens in the muscle. (If it hadn’t, the animal wouldn’t be healthy.) So unless the meat has been cut or punctured, the interior will remain sterile even after being butchered into cuts of meat.

It’s the surface of the meat that you need to worry about, because handling it can spread bacteria from the outside of the cut and make you ill. (A word of caution: some cuts of meat are sold “blade tenderized,” which involves puncturing the meat with a large number of small blades. This process can carry bacteria inside the cut, contaminating the meat throughout.)

When you pan-roast or grill a steak, the searing hot temperatures quickly kill any bacteria that have taken up residence on the surface. So it is virtually impossible to cook an intact steak this way and not sterilize the exterior.

The situation is different, however, when cooking steak sous vide. If the temperature is low enough and the cooking time is too brief, some of the bacteria on the surface may survive and remain infectious. If you’re worried about this possibility, you can eliminate the risk by blanching your vacuum-sealed meat in water hotter than 70 °C / 158 °F for a couple of seconds prior to cooking. Alternatively (and this is the approach we prefer), use a wickedly hot blowtorch to give it a quick sear, which also causes a delicious brown crust to form.

A Modernist Christmas Feast

Merry Christmas and Happy New Year from the Modernist Cuisine culinary team!

Allow me introduce myself. My name is Maxime Bilet, and I am the head chef of research and development in the culinary lab and one of the co-authors of Modernist Cuisine. It has been a very intense three-year journey of creative endeavors and accomplishments here in the kitchen. The entire Modernist Cuisine team has shared an amazing learning experience that we are excited to soon share with you. Every dish, recipe, and photo in our book tells a story of our inspirations, the seasonal bounty of the Pacific Northwest, the very unique processes that we learned to refine, and most importantly, a culinary collaboration that we hope will inspire other chefs and bring clarity and awareness to the great insights of Modernist cooking.

For me, Christmas is both a period of sharing and introspection. It can be an observance of gratitude, a celebration of life, and also a time to share with those whom we care deeply for. As chefs, our greatest gift is to create a feast of abundance. Each year, the flavors or the inspiration may change, but the intention is always to express our love for family and friends by feeding them as best we know how.

As a Frenchman, the Yuletide meal for me means goose, foie gras, chestnuts, farce, gratin d’Auphinois, roasted pears, and Bûche de Noël. Since I grew up in New York, most of my holiday meals have been a wonderful combination of American tradition and French flair. This has meant a little herb butter with the turkey, some mustard jus with the baked ham, a gratin d’Auphinois made with yams (c’est sacrilège!), or even having a praline-flavored Bûche de Noël share the table with apple pie and pecan ice cream. I have come to love baked sweet potatoes, sage-scented bread stuffing, and cranberry jelly from a can as much as any other Christmas dish.

A few weeks ago, Anjana, Grant, Johnny, Sam, and I got together and discussed what might be a way to share our Modernist interpretation of a Christmas feast, something that would exemplify our experiences together working on the book, as well as our varied cultural and life experiences. One iconic Christmas image that we all shared was the honey-glazed ham with pineapple rings and maraschino cherries. Thus, we decided that we would provide our Modernist take on this cherished dish.

For our version of honey-glazed ham, we cure and slowly cook a pork shank. Then we serve it with bright cherry gelée orbs and shaved fresh pineapple. Johnny’s simple glaze of fresh pineapple juice and honey not only brings balance to the rich and salty pork, but also unifies it with the other components.

As for the rest of the feast, we decided that a cabbage component, a sweet potato dish, and a pumpkin pie would round out our version of a Modernist Christmas meal. So, first, nothing is better than deep-fried Brussels sprouts, period. (Thank you, David Chang!) You can make anyone who hates vegetables eat Brussels sprouts simply by deep-frying them until deeply golden. They will have an incredibly complex and nutty flavor.

Our sweet potato dish consists of confit in butter cooked sous vide and topped with a delicate version of “whipped marshmallow” made by aerating a fried sage infusion. Finally, Grant worked on an elegant rendition of pumpkin pie that turned out beautifully. I’d like to think that it turned out as “Frenchie” as pumpkin pie has ever been, but since Grant is a native of the Pacific Northwest, I’ll have to settle for Modernist.

We really hope you enjoy these recipes. Happy holidays to you and yours.

Maxime.


Deep-Fried Brussels Sprouts

Yields: 4-8 portions

Ingredient Quantity Scaling Procedure
Brussels sprouts 500 g 100% Peel away outer green leaves off from Brussels sprouts and reserve.
Frying oil as needed Cut sprouts in half lengthwise and deep-fry in 190 °C / 375 °F oil for approximately 3-4 min, until deeply caramelized.Drain on paper towels.
Salt to taste Season fried Brussels sprouts to taste and reserve warm.
Brussels sprout leaves, from above as needed Blanch reserved outer leaves in boiling water for 2 min and then shock in ice water.
Unsalted butter 50 g 10% Melt butter in pot and warm blanched leaves.
Salt to taste Season leaves.
Lime juice to taste Garnish the fried sprouts with the sautéed leaves.Season with lime juice.

Christmas Ham Hock with Pineapple and Cherries

Yields: 4-8 portions

Ingredient Quantity Scaling Procedure
Ham hock, fresh, with skin on and bone in 900 g 100% Set hock aside, combine all other components for liquid cure and dissolve.
Water 2 kg 222% Submerge hock with cure and vacuum seal.
Salt 200 g 22% Cure hock refrigerated for 3 d.
Brown sugar 80 g 8.8% Remove hock from brine, rinse and vacuum seal.
Sodium nitrate, optional (for color) 20 g 2.2% Refrigerate vacuum-sealed hock for 24 h.
Black peppercorns 10 g 1.1% Cook sous vide at 65 °C / 149 °F for 48 h.
Coriander seeds 10 g 1.1% Remove hock from bag and clean away any excess gelatin.
Cloves 4 g 0.4% Pat dry and reserve.
Pineapple juice, fresh 320 g 35% Combine juice and honey in pot.
Clear liquid honey 80 g 8.8% Reduce over medium high heat until syrupy, about 10 min.Reserve warm.

Deep-fry cooked pork shank in 200 °C / 390 °F oil until golden brown and slightly puffed, about 3 min.

Brush with glaze and slice to desired thickness off of bone.

Fresh pineapple, peeled 50 g 5.5% Slice 3 mm / ? in thick and punch out coins with 4 cm / 1½ in diameter ring mold.
Black cherry juice (from bottled) 100 g 100% Season cherry juice as desired. It will be a seasoning for the pork, so be generous about acidity and sweetness.
Fructose to taste Blend in calcium gluconolactate and xanthan gum to fully disperse.
Malic acid to taste
Calcium gluconolactate 1 g 1% Vacuum seal and refrigerate for 1 h to hydrate.
Xanthan gum 0.15 g 0.15% Pour into silicone hemisphere molds and freeze.
Water 500 g 100% Combine and heat to dissolve to make setting bath for cherry spheres.
Sodium alginate 2.5 g 0.5% Heat bath to a simmer and remove from heat.Drop frozen cherry spheres into hot sodium alginate bath.

Allow spheres to set in bath until the center of each sphere is no longer frozen, about 3 min.

Rinse spheres in hot water three times and reserve in fresh warm water until ready to serve.

Arrange thinly sliced pork with cherry spheres and pineapple. Serve with Brussels sprouts and sweet potato confit on side.

Garnet Yam Fondant with Sage Foam

Yields: 4-8 portions

Ingredient Quantity Scaling Procedure
Red garnet yam, peeled 175 g 175% Peel and use ring cutter to cut out tubes measuring 4 cm / 1½ in. in diameter and 6 cm / 2¼ in thick.
Water 125 g 125% Combine all and vacuum seal.
Unsalted clarified butter 27.5 g 27.5% Cook sous vide at 90 °C / 194 °F for 1 h 20 min.
Salt 4.5 g 4.5% Drain and remove from bag. Cool or serve immediately.
For yam chip:
Red garnet yam as needed Slice into 1 mm / 1?16 in sheets on mandolin.
Punch out disks that are 3 cm / 1¼ in. in diameter and reserve.
Isomalt 100 g 100% Combine all and bring to a boil to make syrup.
Sugar 100 g 100% Blanch yam disks in the syrup for about 15 s.
Water 100 g 100% Lay on nonstick tray and dehydrate at 62 °C / 145 °F for 12 h.
Maple syrup (Grade B) 40 g 40%
For sage foam:
Frying oil as needed Fry sage in 190 °C / 375 °F oil for about 10 s.
Sage 40 g 40% Drain on absorbent paper towels.
Water 300 g 300% Combine with fried sage leaves and vacuum seal.Cook sous vide at 90 °C / 194 °F for 30 min.

Strain and cool sage infusion.

Sugar 100 g 100% Add and dissolve into sage infusion.
Versawhip 3 g 3% Whip with electric whisk to form stiff peaks.
Xanthan gum 0.45 g 0.45% Spoon over sweet potatoes and garnish with yam chips.

Pumpkin Pie: Butternut Squash Custard

Yields: 600 g

Ingredient Quantity Scaling Procedure
Butternut squash, peeled and cubed 550 g 110% Place all ingredients in pressure cooker and cook at full pressure (15 psi) for 20 min.
Unsalted butter 110 g 22% Remove lid and reduce until the bottom of the pan is barely wet. Remove spices.
Water 100 g 20% Puree squash mixture, and pass through fine sieve.
Maple syrup (Grade B) 50 g 10% Measure 500 g of puree for recipe.
Salt 2 g 0.40%
Cinnamon stick 0.8 g 0.16%
Clove 0.25 g 0.05%
Mace 0.25 g 0.05%
Squash puree, from above 500 g 100% Place all in Thermomix and blend for 1 min.
Heavy cream 90 g 18% Turn on heat and continue blending until 90 °C / 194 °F is reached.
Maple syrup (Grade B) 40 g 8% Cast onto pastry table with bars at a thickness of 1.5 cm / ½ in until firmly set.
Salt 2 g 0.4% Refrigerate until use.
Toasted walnut oil 10 g 2%
Iota carregeenan 1.48 g 0.3%
Kappa carregeenan 1.48 g 0.3%

Pumpkin Pie: Ginger Cream

Yields: 250 g

Ingredient Quantity Scaling Procedure
Heavy cream 200 g 100% Whip all to medium peaks.
Sugar 40 g 20% Pipe 1 cm / ? in tip into cylinders with sides touching to make sheets.
Ginger juice, raw and fresh 15 g 7.5% Freeze completely.
Toasted walnut oil 7 g 3.5%
Xanthan gum 0.25 g 0.125%

Pumpkin Pie: Caramelized Crust

Yields: 600 g

Ingredient Quantity Scaling Procedure
Pastry flour 350 g 140% Blend in food processor and reserve.
Unsalted butter 250 g 100%
Ice water 105 g 42% Dissolve sugar and salt into water.
Sugar 15 g 6% In large bowl, pour flour and butter mixture over the liquid mixture.
Salt 10 g 4% Mix until just incorporated.Place on silicone mat and press into layer about 2.5 cm / 1 in thick.

Place in refrigerator and let rest for 1 h.

Remove and roll out 3 mm / ? in thick.

Rest in refrigerator for 1 h.

Bake in 160 °C / 320 °F oven until golden, about 18 min.

Maple syrup (Grade B) 100 g 40% Heat in pot until just melted and whisk to emulsify.
Unsalted butter 50 g 20% Brush all over the pastry crust and bake in 190 °C / 375 °F oven until dry, about 10 min.
Salt 2 g 0.8%
Pumpkin Pie: AssemblyYields: 4 portions
Ingredient Quantity Scaling Procedure
Butternut squash custard square 4 squares Cut crusts to desired dimensions.Cut custard to fit on top of crust, with crust evenly exposed on edges.

Cut frozen ginger cream into the same dimensions as the custard. Be sure to place cream on top while still frozen.

Transfer to serving dish.

Garnish with orange zest, grated walnut, and walnut oil.

Ginger cream 4 pieces
Caramelized crust 4 crusts
Orange zest, finely grated 4 shavings
Toasted walnuts, finely grated 16 walnuts
Walnut oil as needed

Inside The Lab with the Modernist Cuisine Kitchen Team

During promotional events for Modernist Cuisine, we are often asked what exactly we do all day. While one might imagine that our days are filled with whimsical experimentation coupled with high-tech gadgets and mysterious powders, the reality of this project is that a book needs to be written — and that book needs data.

So, the short answer to what we do all day is that we provide data for the 1,000+ recipes and step-by-step procedures contained in the book. This information includes the numbers, percentages, ratios, and recipes for the plethora of formulations and tables that supplement the body text of Modernist Cuisine.

In this three-part article series, I will describe the process by which we developed our recipes, staged the photographs, and tirelessly captured the parametric data for the book. This first installment will discuss our recipe development process.

Inside The Lab with the Modernist Cuisine Kitchen Team: Recipe Development

Over the last three years, we have developed hundreds of recipes in our test kitchen. Most of these recipes have been either adapted from or inspired by various chefs and styles of food. But beyond inspiration, our goal with these recipes has always been to put our own unique Modernist take on them. Whether we improved upon the methods used or completely restructured the dish, we always sought to provide something novel in our approach to every recipe.

The recipe selection and development process evolved over time. Initially, Chris and Max worked together closely with Nathan to assemble an initial plan of recipes that dovetail with the body text to illustrate all the various cooking techniques and ingredients discussed in the book, and that also fit together to form highly appealing plated dishes.

That recipe plan was refined and elaborated extensively as the research kitchen staff grew. In 2009, the recipe development and testing process evolved into its final form. That process usually begins when Maxime, after hours of research and consultation with Nathan, presents the rest of the kitchen team with a dish that inspired us. We are then collectively given the assignment of finding a way to redefine and refine the technique(s) in which the inspired dish is approached.

For example, several months ago, we were asked to make a Modernist ham and cheese omelet. We already knew there were certain components that we wanted treated a certain way. For instance, the omelet’s filling would consist of finely diced ham and cheese, but it would also contain a siphoned scrambled egg with a silky smooth consistency.

After many trials, we finally found the perfect temperature and time for cooking the eggs sous vide, in such a way that the finished eggs were still fluid, but not sticky. From there, we moved on to the omelet’s skin, which we found to be ideally tender when baked in a steam oven at around 82 °C / 179 °F.

In short, we began with a vision of the model traditional omelet (specifically, a fluffy un-caramelized skin with a moist filling) and methodically worked our way towards its Modernist extreme, creating, in our opinion, a remarkable result.

The Modernist kitchen team whiteboard.

Stay tuned for the second installment of this three-part series, in which I will describe our preparations for capturing the images used in the book.

A Modernist Thanksgiving

Thanksgiving holds a special place in most U.S. kitchens because, of all the holidays, it is certainly the most food-focused. Indeed, while we have much for which to give thanks from the passing year, on a more visceral level, we celebrate the abundance of deliciousness that graces our tables on this particular day.

Now, much has been written about that centerpiece of Thanksgiving deliciousness: the turkey. Whether one is bemoaning the painful experience of eating a dry chewy bird, or analyzing the best way to remedy that failing, cookbooks both old and new are bursting with opinions on how to master a succulent and tender roast turkey. Rather than mastering the classic interpretation, the recipe in Modernist Cuisine flips it on its head by focusing on refining the flavors of a roasted bird and applying Modernist techniques.

In this case, we have chosen the turkey wing to be the primary vessel of Thanksgiving flavor. Specifically, we take the radius and ulna of the turkey wing (the middle portion with two bones running through it), cure it, and then cook it sous vide for the most tender result.

First, after chopping off the joints to expose the two bones inside the wing, we cure the turkey wing segments in a dry rub of salt and sugar for 24 hours.

The turkey wing as it cures in the sous vide bag.

After a day of curing, we rinse the cure off of the wing and vacuum seal it with a bit of clarified butter. Then we cook it sous vide at 58 °C / 136 °F for 12 hours. Immediately after pulling the wing out of the bath, we pull the bones out of the wing while its flesh is still warm. If the wing has been properly cooked, the bones should just slide right out. Once the segments have cooled, they are ready to be dusted in potato starch and panfried.

The cured and dusted wing prior to being panfried.

The finished pan fried wing.

Once we have a deliciously crispy and tender piece of turkey, it’s time for the gravy. There is only one primary Modernist twist to our turkey gravy, but it is crucial to the overall flavor concentration of the sauce.

A traditional gravy requires quite a bit of roux to thicken a flavorful poultry broth to the right consistency. Instead of roux, our gravy has a small percentage of Ultra-Sperse, a pre-hydrated starch from National Starch. The Ultra-Sperse is whisked in to thicken our broth. The advantage here is in flavor concentration: Because Ultra-Sperse is more efficient than fat and flour in thickening liquid, we use significantly less of it, so the concentration of turkey flavor in our gravy is not diluted, as is what happens when roux is used.

Finished with a bit of diced cranberry and picked sage, our small bite of Thanksgiving turkey bursts with flavor.

The sauced and garnished wing.

How would you refine Thanksgiving turkey? Let us know by leaving a comment below.